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Written in 1931, H.P. Lovecraft’s iconic genre-bending tale of suspense and alien terrors is brought to life in the style of the classic horror films of the 1930s like Frankenstein, Dracula and King Kong. Using its Mythoscope™ process — a mix of vintage and modern techniques — the H.P. Lovecraft Historical Society expands on Lovecraft’s original tale while still bringing you unparalleled authenticity. Horror and science fiction collide in the adventure of Albert Wilmarth, a folklore professor at Miskatonic University, as he investigates legends of strange creatures rumored to dwell in the most remote mountains of Vermont. Wilmarth’s investigation leads him to a discovery of horrors quite beyond anything he ever imagined, and ends in a desperate attempt to escape the remote New England hills with his life and sanity intact.
A debate rages over the credibility of the Bible. Most archaeologists today have concluded that there’s no evidence that the Exodus of Israelite slaves from Egypt ever happened. Filmmaker Timothy Mahoney faces a crisis of faith: “Is this foundation event of the Bible really just a myth?” He embarks on a 12-year journey around the world to search for answers. Patterns of Evidence: The Exodus unlocks the mystery of this ancient saga, combining a scientific investigation with a retelling of the Exodus story to reveal an amazing pattern of evidence matching the biblical account that may challenge our understanding of history. It features stunning animations, narration by Kevin Sorbo (God’s not dead, Hercules: The Legendary Journey), interviews with leading archaeologists such as Israel Finkelstein, Kent Weeks, and David Rohl, and guest appearances by Israel’s Benjamin Netanyahu and Shimon Peres.
Garfield, the world-famous, Monday-hating, lasagna-loving indoor cat, is about to have a wild outdoor adventure! After an unexpected reunion with his long-lost father – scruffy street cat Vic – Garfield and his canine friend Odie are forced from their perfectly pampered life into joining Vic in a hilarious, high-stakes heist.
Marketing whiz Alma Beltran and Christmas tree whisperer Charlie Freemont cross paths when Charlie finds the perfect tree for the Maine Governor’s Holiday Celebration — right in Alma’s back yard. While they initially spar, romantic sparks soon begin to fly between the two women as the enchanting tree and some Christmas fairy dust from the town’s pâtissière extraordinaire bring out the best in them and spark each other to take leaps of faith and fight for love and Christmas magic.
The love story between a pampered Cocker Spaniel named Lady and a streetwise mongrel named Tramp. Lady finds herself out on the street after her owners have a baby and is saved from a pack by Tramp, who tries to show her to live her life footloose and collar-free.
Brian Barnes (Johnny Messner) wakes up in the desert wounded and with no memory and no idea why he’s surrounded by eight bodies, a van with four million in cash and a van full of cocaine. Brian is pursued by not only notorious drug lord Danny Perez (Danny Trejo) who desperately want his money back, and DEA Agent Rooker (Dolph Lundgren), but also a by the corrupt Sheriff Olson (Michael Pare) who will stop at nothing to get his hand on the new found fortune. On the run, Brian discovers the more he remembers the less he wants to know about who he really is.
Everybody has the sibling who is always just a little bit behind the curve when it comes to getting his life together. For sisters Liz, Miranda and Natalie, that person is their perennially upbeat brother Ned, an erstwhile organic farmer whose willingness to rely on the honesty of mankind is a less-than-optimum strategy for a tidy, trouble-free existence. Ned may be utterly lacking in common sense, but he is their brother and so, after his girlfriend dumps him and boots him off the farm, his sisters once again come to his rescue. As Liz, Miranda and Natalie each take a turn at housing Ned, their brother’s unfailing commitment to honesty creates more than a few messes in their comfortable routines. But as each of their lives begins to unravel, Ned’s family comes to realize that maybe, in believing and trusting the people around him, Ned isn’t such an idiot after all.
2ELEVEN IS THE TALE OF TWO BROTHERS HUSTLING TO SURVIVE IN THE STREETS OF DETROIT. ZO, THE CALM, AMBITIOUS BROTHER WANTS NOTHING MORE THAN TO GIVE HIS DAUGHTER, NATTY, A BETTER LIFE WHILE MURDA, THE FLASHY HOT TEMPERED BROTHER LOVES THE FAST LIFE AND EVEN FASTER MONEY. TWO VERY DIFFERENT BROTHERS WITH THE SAME OCCUPATION, COMMITTING ROBBERIES. ZO, MURDA, AND THEIR ACCOMPLICE, RELL START OFF AS SMALL TIME THIEVES UNTIL ZO LINKS UP WITH A SEASON VETERAN WHO GIVES THEM THE OPPORTUNITY TO CATCH BIGGER FISH AND MAKE MORE MONEY. ONCE THESE “JACK BOYS” BEGIN TO SEE A SHIFT IN INCOME, THE DIFFERENCES BETWEEN ZO AND MURDA BECOME MORE APPARENT. TEMPERS FLARE, BLOOD IS SHED, AND LINES ARE CROSSED. THE MORE MONEY THAT IS MADE, THE MORE LOYALTY IS TESTED. THIS URBAN DRAMA IS SURE TO LEAVE YOU THINKING
A group of people from different backgrounds have one thing in common: when they hear the world “gumball” whispered by one of the others, they know that it’s time for the Gumball Rally: a no-holds barred, secret, winner-take-all rally across the USA.
In the Yorkshire countryside, working-class tomboy Mona meets the exotic, pampered Tasmin. Over the summer season, the two young women discover they have much to teach one another, and much to explore together.
An elevated genre horror film about a single mother who wakes up in a medical facility to find that everyone is dead and she’s nine months pregnant. As she struggles to escape she discovers the facility’s secret, they’ve tampered with the boundaries of death and brought people back to life, but those who’ve returned, have not returned alone.
In the carnival in Spain in the beginning of the Twentieth Century, the exiled republican Antonio Galvan comes from Paris masquerade to enjoy the party and visit his friend Capt. Don Pasqual ‘Pasqualito’ Costelar. However, he flirts with the mysterious Concha Perez and they schedule to meet each other later. When Antonio meets Pasqualito, his old friend discloses his frustrated relationship with the promiscuous Concha and her greedy mother and how his life was ruined by his obsession for the beautiful demimondaine. Pasqualito makes Antonio promise that he would not see Concha. However, when Antonio meets Concha, she seduces him and the long friendship between Antonio and Pasqualito is disrupted
Cinema Novo is a movie-essay that investigates poetically the most important movement of Latin America cinema, through the thoughts of its main auteurs: Nelson Pereira dos Santos, Glauber Rocha, Leon Hirszman, Joaquim Pedro de Andrade, Ruy Guerra, Walter Lima Jr., Paulo César Saraceni, among others.
Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand. Made entirely using mobile phone cameras, KING KELLY is a satirical journey through the boundless narcissism of the YouTube generation.
Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.
